Yes, it's true, I'm finally calling it done--not sure that I can't improve upon it, but at this point, I don't care. I simply can't look at it a moment longer. I think the lace was probably more of a challenge than the glass--lace has fewer hard edges and requires more blending. I could have done more, but Todd was constantly over my shoulder saying "Don't overwork it!" As if!
Okay, I did overwork it a tad, but I'm pleased with the results. It is 8" x 10" and I now need a stronger pair of readers...
...so...I've got an idea for my next project...something highly reflective, small and sentimental...but I have to wait for some bright sunlight before I can start it, and in Michigan, well, that could take a while...
Love the light, shadows, textures, colors, and composition. I feel like I could reach out and touch each item. Amazing!
ReplyDeleteSharon, Thank you :) those are the very reasons I chose to paint this one. There were so many subtleties that called out to me...
ReplyDeleteBammmm,,, It just jumps to life. Sometimes one gets accustomed to a process, but each new one brings a whole 'nuther set of amazement.
ReplyDeleteOh, Glenn, I'm so glad you don't get bored with my 'process' :)
ReplyDeleteI was wondering how well the glass would come out in watercolor, but it looks beautiful. I love the lighting (and the lace). Excellent work!
ReplyDeleteThanks Nate. I always wonder how any of my paintings will come out in watercolor--I mean, the very nature of the medium is so elusive. I'm just really glad it's done--I was thinking I was going to have to post the Monty Python intermission music I found on YouTube, lol. I am bookmarking it for later stalls in my work...
ReplyDeleteOh, WOW! How do you do that light, Bridget? It's absolutely stunning. Honestly, your work takes my breath away. Congrats on finishing!
ReplyDeleteMichelle, don't tell anyone, but all that light is just white paint! Hope that doesn't take the stun out of it :)
ReplyDeleteBut seriously, I'm so glad you like it :)
Hi Bridget!... Slendidly beautiful... quiet... serene... and DEFINITELY NOT overworked... the slightest!
ReplyDeleteYour grasp of... and handling of the various surfaces... and textures ranging from transparent... to opaque and reflective is masterful!
A very beautiful and captivating portrayal! I love it!
Warmest regards,
Bruce
Oh Bruce, Thank you so much—I’m blushing :)
ReplyDeleteI always feel as if I’m overworking it—sometimes my poor paper looks downright bristly, lol. And I’m always concerned that I won’t be able to pull it back out of the ‘muddy phase.’ This time, I feel as if I have pulled it off. I’m happy with the result, but having the endorsement of a respected artist makes it all the more gratifying. Thanks again for your encouragement :) !
There is a magical step that you don't talk about -- right near the end there. It is when you painting suddenly pops to life. Maybe it is because I have been absent for a couple of weeks -- but when I see the finished product -- I am stupefied.
ReplyDeleteThis really is amazing Bridget!
Jerry! I've been waiting for you!
ReplyDeleteI'm so glad you approve. That last step...well, I have to admit, something does seem to happen in those last hours before it's done. The white really makes a difference, even in how I feel about the way it's turning out, but due to the nature of the pigment, I can't add it until last, and have to continue working on faith. (I know you understand exactly what I'm talking about!)